We talk about theatre as a phenomenon of human culture, something extraordinary, which is inherent only to human beings. The passion to perform, to trick, to act and to mystify. The gift, which comes with a great price, the obsession to which we owe the greatest masterpieces, the mystery of men’s nature.
A conversation with Inna Ganschow, 2025 Lëtzebuerger Buchpräis winner and author of “No One Cried, There Were No More Tears.”
We explore the creation and curatorship of the English- and French-language exhibition OST: The Vanished Traces of Forced Laborers.
Today, we are joined by Inna Ganshow – a research scientist at Luxembourg Centre for Contemporary and Digital History. And she hasn’t come empty-handed—her new book has just been published.
It’s a monograph with a rather haunting title: “No One Wept Anymore—There Were No Tears Left.” This quote comes from the memoirs of a woman who was forcibly taken for labor. The book’s subtitle provides a clearer picture: “Ukrainian, Russian, and Belarusian Forced Laborers in Luxembourg During World War II in a Transnational Perspective.”
The Radio For All Voices
